Django Unchained

America, mid-nineteenth century, just prior to the Civil War. Winter. Two horsebacked slave-traders are leading half-a-dozen manacled negro slaves through a large, unspecified section of Texas. As they move one night through a wood, they cross paths with an affable, charming German fellow identified by the hokey model tooth affixed atop his carriage by a spring as a travelling dentist. He greets the traders cordially but he's struggling to be understood; not because English is his second language (although he deferentially concedes as much when instructed - more than once - to "Speak English!") but because his vocabulary is far wider than that of the simpler men here before him. It's not a chance passing, either; this German fellow, who ide...

A highly entertaining yet disturbing film with superb cast and performances for an audience who would likely never consider watching a film fundamentally about slavery, where Tarantino is masterfully and emphatically navigating and exposing the complex layers of the violent and dehumanizing system of slavery.

ENTERTAINING from start to finish !!

Given I am a big fan of Quentin's works i knew this movie would be a treat to watch.But what i didn't know was violence can be so COOL... The movie is a treat to watch(including the blood and gore) from starting to end.The acting is superb.And the cinematography is just too good! The whole cast played their parts to perfection...Especially Samuel L. Jackson and Jamie Foxx..Leo and Christopher Waltz were superb too..And as Christopher said in the movie - "It was hard to RESIST".A must watch for everyone who likes QUALITY cinema..Even the ones who cant stand BOOMs and BANGs, you wouldn't regret spending about 3 hours watching this well written, well directed and well acted GREAT movie !!

This is one of the best movies I have watched in a long time. It is a pure Tarantino blast. The somewhat unexpected and quite hilarious start of the movie catches your attention from the start and from then on it is 3 hours (almost) of pure enjoyment.

The main actors are playing their roles very well. The Dr. King Schultz character (Christop Walz) is incredibly funny without being ridiculous, Jamie Foxx is excellent as Django and Leonardo DiCaprio is doing his role well as a plantation owner and slave trader. None of the rest of the crew stood out as particularly bad. Well with the possible exception of Tarantino himself then when he made his usual in-movie appearance a la Hitchcock. Not that he was particularly bad but he is no actor eit...

When Django is unchained (pronounced JANG-oh, not Duh-JANG-oh)

Released in 2012 and directed & written by Quentin Tarantino, "Django Unchained" stars Christoph Waltz as an ex-dentist who befriends an ex-slave, Django (Jamie Foxx) in West Texas a couple of years before the Civil War; they team-up as bounty hunters once they realize how good they jell. The second half focuses on their attempt to infiltrate a Mississippi plantation owned by pompous Southerner "Monsieur" Candie (Leonardo DiCaprio) in order to rescue Django's wife (Kerry Washington). Samuel L. Jackson plays Candie's overly loyal house slave.

This is an excellent American Western with Spaghetti Western elements featuring Tarantino's typical artistic flourishes. It takes pla...

Django Unchained entertained me, for sure, with its taut storyline and its lack of predictability, but it doesnt rise to the level of my few favorite Tarantino efforts.

The trademark violence is present, sometimes to the point of it being cartoonish to me. It would have been easy to present many of the characters as stereotypical, but the script avoided that. The DiCaprio slave owner is vicious and cruel, but there are flashes of flexibility concerning the status quo with his slaves. And his elderly house slave seems to act more like a slave owner than he does.

A chemistry develops between the two lead characters as they work as bounty hunters, and that is satisfying to see. There are the usual sometimes subtle nods to other films, a...

Mandingo. D'Artagnan. Slave abuse. Tarantino's technique of capturing the painful discrimination against blacks head-on and, on the contrary, making it cathartic in the final scene is brilliant. Starting with the impressive theme song, nonstop violence replaces it, giving us a glimpse into the kaleidoscope of horrific American society. Leonardo DiCaprio's monstrous performance and Christoph Waltz's near-perfect supporting turn are the main reasons for the film's appeal, but Quentin Tarantino's screenplay, which deliberately intersects revenge and black racism and ends up making us sneer at those who looked down on the slaves, is nothing short of brilliant. Next to "Pulp Fiction" this is Quentin's best film.