Laraine Day

Robert Ryan

John Agar

Thomas Gomez

Janis Carter

Richard Rober

William Talman

Paul E. Burns

Paul Guilfoyle

G. Pat Collins

Fred Graham

Harry Cheshire

Jack Stoney

Iris Adrian

Charles Grayson

Robert Stevenson

Leigh Harline

Sid Rogell

Nicholas Musuraca

Jack J. Gross

Robert Hardy Andrews

George F. Slavin

George W. George

Roland Gross

Fred Bentley

Gaston Longet

Drama

Thriller

communist

film noir

list0

leftist movies

Silver

One of my favourite film books is Foster Hirsch's 1981 "THE DARK SIDE OF THE SCREEN: FILM NOIR"; probably the best book on film noir I've read. Seems to me the films mentioned in the book would make a great "film noir" watchlist for many films in the genre as well as those films which influenced the style and feel of film noir.

THE DARK SIDE OF THE SCREEN: FILM NOIR

Film Noir

The Woman on Pier 13

RKO Radio Pictures

United States of America

You can't quit. They wont let you! 

The Woman on Pier 13 (AKA: I Married a Communist) is directed by Robert Stevenson and collectively written by Charles Grayson, Robert Hardy Andrews, George W. George and George F. Slavin. It stars Robert Ryan, Laraine Day, John Agar, Thomas Gomez, Janis Carter, Richard Rober and William Talman. Music is by Leigh Harline and cinematography by Nicholas Musuraca. 

Brad Collins (Ryan) was a one time member of the communist party. Now married and thriving in business, his world is turned upside down when the CPUSA come to seek him out for influential favours. 

It wasn't easy for director Stevenson, what with RKO mogul Howard Hughes interfering as he forced home his anti-communist slant, so much so the whole pic comes off as an almost there type of piece. Casting aside that it's all a bit daft these days, with its red hysteria leanings (though it serves as a most interesting social document of the era), there's a number of tight scenes and enough moody atmospherics to keep this out of basement hell. 

Characterisations are rich in noir traditions, a protag whose past is back to bite him, a slinky femme fatale, a dutiful wife in the dark, and villains of substance. Be it Gomez's weasel Commie boss stomping around like a malevolent tyrant or Talman's fairground working hit-man for hire, the latter with a dress code as mirthful as it is strangely unnerving, the baddies offer up some sort of balance in a screenplay that's not sure where it ideally stands. The violence hits hard, with shocking deaths, and in good dark noir style the finale holds court for the right reasons. 

Add in a cast who don't let anyone down and the great Musuraca showing his photographic skills (though not as much as we would like), then it's a more than decent viewing experience. But the proviso is that you do have to let the propaganda go above your head to get to those decent rewards. 6/10

English

Woman on pier 13 trailer  Robert Ryan

The Woman on Pier 13

Her beauty served a mob of terror whose one mission is to destroy!

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