Red Eye

"Lisa" (Rachel McAdams) is chatting away to her fellow passenger on an aircraft when suddenly things all start to take a bit of a menacing turn. It turns out that "Rippner" (Cillian Murphy) needs her to contact the hotel in which she works and get them to move a visiting - and important - family to a new suite. Should she not acquiesce to this perfectly reasonable request, then he has a pal on the ground who is all set to bump off her father "Joe" (Brian Cox). For the first half an hour, this is quite an effective thriller - the dynamic between the two, with her hemmed into her increasingly claustrophobic airline seat, helps build quite a decent sense of peril. Sadly, though, as she begins to fight back the scenario begins to lose it's pote...

Red Eye is a solid thriller that builds tension well, especially in its first act. The slow-paced setup allows for strong character introductions, but it does feel like Rachel McAdams' character should have picked up on Cillian Murphy's unsettling presence sooner. The second act loses some momentum, with certain scenes dragging more than necessary, but Wes Craven's direction keeps the suspense alive. The final act is where the movie really kicks into gear, delivering a satisfying climax. The script does a good job of balancing psychological tension with action, though some moments require a suspension of disbeliefespecially regarding in-flight conversations that seemingly go unnoticed by passengers.

Cinematography is straightforward but ...