John Chard
It takes time to die!
A mysterious stranger rides into town and sets about enacting vengeance on those guilty of war crimes...
A Spaghetti Western/Supernatural hybrid, Django the Bastard oozes atmosphere in spite of its obvious bargain bin budget. Anthony Steffen co-writes the screenplay with director Sergio Garrone and he also takes the lead role of the enigmatic stranger moving about the townsfolk like some grubby phantom. There's a splendid Gothic tint to proceedings, with crosses featuring prominently as Garrone and cinematographer Gino Santini dally with shadows and murky lighting techniques to enhance the other worldly pulse beat that the narrative calls for. Characterisations are pretty thin on the ground, though, while the act...