Georges Méliès

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Comedy

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religion

devil

silent film

Here's to Sweet 16 -- 2016, that is. And for more magnificent movie watchin' with yet another go at keeping track of all the films I watch this year. This time around, the title of 2016's list was invented by AngelAce.

THE EXCEEDINGLY-ASTOUNDING MONDO-AWESOME FLICKERS PROJECT 2016 😲😇♠️

MovieLens[50K:]

Taking the idea from a list by LSWoods, I am making this list featuring my favourite film of each year.

No doubt this list will change; as I watch more and more movies, something may get supplanted as my fave of that year. Already, on more than several occasions, my heart has been broken choosing only ONE film per year! 

From time to time, when the need arises, there will be a challenger to a current defending champion for film of that year. When a current film of the year is challenged, that will appear in the comment section and the list will be changed (or not) depending on the results of that challenge.

But for now, here is a list of my favourite film from every year of cinema (more or less). . .

Film of the Year 🏆

Movies in the public domain in the United States. 
References:
https://en.wikipedia.org/wiki/List_of_films_in_the_public_domain_in_the_United_States
archive.org

Public Domain

Marie-Georges-Jean Méliès, known as Georges Méliès (/meɪˈljɛs/; French: [meljɛs]; 8 December 1861 – 21 January 1938), was a French illusionist and film director who led many technical and narrative developments in the earliest days of cinema. Méliès was an especially prolific innovator in the use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted color. He was also one of the first filmmakers to use storyboards. His films include A Trip to the Moon (1902) and The Impossible Voyage (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy.

The Devil in a Convent

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