A Haunting in Venice

The one thing a good whodunnit should not do is put its audience to sleep. Unfortunately, this latest cinematic adaptation of an Agatha Christie novel fails miserably on this score. Director Kenneth Branaghs third outing as Belgian sleuth Hercule Poirot is a protracted snooze that leaves viewers caring little about the characters and even less about the story in which theyre trapped. When the famed detective (Branagh) now in retirement in Venice is called upon by a friend and author of murder mysteries (Tina Fey) to help her verify or discredit the psychic powers of a medium (Michelle Yeoh) at a séance at an allegedly haunted Venetian palazzo, hes drawn into yet another of his famous investigations. The problem here is that what should be...

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"A Haunting in Venice is, by some margin, the best adaptation of the now trilogy featuring Hercule Poirot, correcting many of the mistakes of the past and utilizing Kenneth Branagh's innate talent as both filmmaker and actor to stand out as a darker, more atmospheric film.

Exceptional performances, suspenseful sequences with intense build-ups, and a couple of genuinely intriguing mysteries that last until the very end. Some ambiguity surrounding its supernatural themes feels off in such a logic-driven world, just as not all characters deserve the allocated screen time.

If this last installment is us...

Unlike his other two Christie adaptations featuring this character, this film does not have a previous, star-studded, version with which to compare. That's a good thing because this is certainly not one of the author's stronger stories. "Poirot" (Sir Kenneth Branagh) has retired to a sort of self-imposed exile in Venice where he sees nobody but the pastry chef. The arrival of fellow writer "Ariadne" (Tina Fey) teases what's left of his little grey cells and takes them to an old palazzo where there is to be a seance to try and ascertain what caused the strange death of the young "Alicia". He quickly discovers that those assembled consist a group of folks who all have baggage - individually, or with others from the party and of course, in the...

While Kenneth Branagh is not our favourite Poirot, we like seeing Agatha Christie tales on the big screen. (We want to encourage more murder mysteries to be made.) Much improved over Death on the Nile, this one gives us interesting establishing shots of the titular Venice before we get to the haunted Pallazo where the majority of the film takes place. Michelle Yeoh was the highlight of the familiar faces populating this one. Tina Fey was an odd choice as the comic relief in a period film.

We did both close our eyes sometime in the middle though.

Another take on Agatha Christie's books, this one takes the "Hallowe'en Party" (1969), into the screen on a loose adaptation. Again Kenneth Branagh leads on the direction and main role (the belgian detective Hercule Poirot), while on his retirement in Venice, in post-war Venice, 1947.

The screenplay is by Agatha Christie (obviously) and Michael Green (Blue Eyed Samurai, Blade Runner 2049, Logan, and the previous two movies of this series "The Murder on the Orient Express - 2017, and Death in the Nile - 2022).

It is a way better movie than Death in the Nile, but it doesn't reach the level of Orient Express tho. In all passes in a dark Venice palazzo, in a strange empty Venice, that is shown only into the begging and the end (that we...

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This film initially presents itself as a horror movie but unfolds more as a murder mystery, deviating from the expectations set by its promotional material. It shares similarities with other movies starring the same actor in a recurring character role, resembling a continuation of a franchise with a different name.

While the first two movies were decent, this one falls into the same category. It doesn't quite captivate or hold your attention throughout. The storyline feels somewhat lacking and could benefit from filling in some plot holes. Overall, it's an okay movie that doesn't excel in drawing the audience in.

The predictability of the plot and clues may leave viewers feeling ahead of the protagon...