Fall

Even if the story was kind of lackluster, the film itself was incredible. If you consider the tower as a kind of true main character of the movie.

On first watching this I can instantly imagine the blustering cacophony of outrage about climbing technique from viewers. From the first, the film is rather jarring but honest about its juvenile depiction of "climbing". At the start I had to decide NOT to care about how realistic it was because it would be wrong to reduce a film abductio absurdum because it is a story after all. A creation. It isn't being judged on its ability to remind one of real life so much as to forget it. I do this 'forgetting' voluntarily and I seem to enjoy films more.

I felt my body constricting away sligh...

Fall is 47 Meters Down but with heights instead of depths - 47 Meters Up.

Fall keeps your stomach in your throat with its dizzying heights and anxiety-inducing peril. The movies plot is extremely thin, but thats what you would expect from a film with this premise. Grace Curry and Virginia Gardners despair seemed authentic through their convincing performances. Panic and distress filled every shot as the camera soaked in the unbelievable heights and endless landscapes. Scott Mann once again directs an emotional suspense-laden film that feels incredibly similar to 47 Meters Down, even borrowing an identical plot twist. Fall stretched on a little longer than needed, but I appreciated the staggering suspense and character development tha...

Fall is a sweaty palms, nerve racking ride, that plays, with gleeful sadism, on one the most basic and widespread, of human fears.

An Acrophobic's worst nightmare, Fall takes a very basic premise and uses it to good effect, building a primal, instinctively terrifying, anxiety soaked action flick, of quite literally, dizzying heights.

This is, somewhat antithetically, both an easy and hard watch rolled into one. I frequently found myself holding my breath, tensing, jumping and having to take breaks to get over my own sense of fear, at what I was witnessing.

I was heavily invested in the main characters, wanting to see them safely escape their horrible predicament, in spite of their reckless decision to climb an obviously rusted, d...

Right. First things first. Understood that you erect a 2000ft television relay tower back in the day, but when that industry moves to satellite delivery, why on Earth would anyone just leave this gradually rusting structure standing - only for it to come crashing down one day when the metal fatigue has won out? Hmmm! Anyway, luckily for us the planner's ineptitude allowed for "Becky" (Grace Caroline Currey) and her friend "Hunter" (Virginia Gardner) to go climb it. It's quite a big deal for the former woman - she had been free-climbing almost one year earlier with her friend and her husband "Dan" (Mason Gooding) when disaster struck and she has spent much of the intervening period married to Jack Daniels. Scorning any sensible planning - fo...

might contain spoilers

What a great murder mystery film. As an amateur climber, I too was initially put off by the amount of unprofessional climbing techniques. However, if they were truly climbing/solo enthusiasts, how could they not get injured way before they take on any big challenges? (And from a filmmaking perspective, with climbing being such a popular sports, surly it is not hard to get some random joe from the gym to tell the film crew that those techniques are horrible! also there are other suspicious common-sense defying points later) The answer of course, what we watched is just simply a recounting of Beckys version of what transpired!!! Then all the inaccuracies makes perfect sense as thats how you get the authoritie...

I cant help having a soft spot for a movie that name-drops several pro wrestlers as a means to convey a nice bit of subtle foreshadowing, and plays Warrants «Cherry Pie» on its soundtrack like every five minutes.

On the other hand, its very difficult to empathize with the characters in this film; anyone who climbs a rusty, super creaky 2,000 foot TV tower (a choice so inane that under normal circumstances its known as the Fallacy of the Climbing Villain) in the middle of bumfuck nowhere just for shits and giggles deserves whatevers coming to them.

The rationale, such as it is, behind the protagonists actions is that life is «too short» and «you gotta do something that makes you feel alive.» Methinks theyre confusing joie de vivre wit...

Fall is a survival thriller that succeeds, at least for those of us with the fear of heights, to get an uneasy feeling with the aerial shots. The visual effects used to do those scenes were fairly well done and even though it is a movie with two (naïve) climbers being stuck on top of a tower, the film co-scripted and directed by Scott Mann still was quite entertaining. The performances from both Grace Caroline Currey and Virginia Gardner were well done (Jeffrey Dean Morgan only had a couple minutes of screen time and likely did this as a favor to Mann as the pair previously worked together on 2015s Heist).

Fall isnt a movie Id watch again, not unlike many other of these survival thrillers (like 47 Meters Down, Shallows, 127 H...

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"Fall is one of the biggest surprises of the year! Its premise automatically brings high levels of adrenaline, suspense, and tension - especially for acrophobes - and Scott Mann achieves the ideal mix of realism and absurdity.

It doesn't go overboard to the point of causing countless "eye rolls", nor is it too generic and inconsequential, adding a rather impactful narrative twist near the third act. Grace Caroline Currey shines alongside an also competent Virginia Gardner, both having enough time to lead a character-driven story focused mainly on a single location.

Too bad the frustratingly abrupt ending prevents the movie from reaching the next level..."

Rating: B

Going into Fall, I did not have super high hopes, and unfortunately it met my expectations. This movie attempts to be something far greater than it ever needed to be, resulting in a super bloated experience that just feels completely unfocused. The nearly two-hour runtime is entirely too long for a plot that is on the surface, fairly bare bones. But the screenplay attempts to deliver multiple subplots that are supposed to develop our characters, but all it did was take away from the tension that it was building. For every scene where I was gripping my chair waiting to see what will happen next, there is a scene where the two characters talk about their feelings for far too long. Furthermore, there are story elements that are either too conv...