Last Night in Soho

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/last-night-in-soho-spoiler-free-review

"Last Night in Soho is incredibly captivating throughout the entire runtime, but Edgar Wright's all-in in the insane third act is definitely going to generate a divisive response.

Story-wise, the compelling protagonists - brilliantly interpreted by Thomasin McKenzie and Anya Taylor-Joy - follow intriguing arcs holding unexpected revelations that ultimately make sense with the overall narrative. Stunning cinematography and production design come together to create a visually jaw-dropping 1960s London, which becomes an even more entertaining place to visit due to Steve Price's addictive music.

However, the last act feels a sudde...

Not a big fan of Edgar Wright compared to some (fine filmmaker but don't get excited when a project of his is announced; and to be fair, same really goes for Christopher Nolan as well lately), but this one does feature some good 1960s-era music and the performances from both Thomasin McKenzie and Anya Taylor-Joy (whom I am a big fan of) were great and some fun mind-twisting scenery and visuals, though in the end felt it was fine as whole. Worthy of a watch, though. 3.5/5

Full review: <a>https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/for-a-dollar-name-a-woman-last-night-in-soho-review<a>

The plot follows shy, 60s-aesthetic-loving Eloise (Thomasin McKenzie) as she leaves her small country home and heads to the big city of London to attend fashion school. After one bad night in the dorm, she decides to move into a room offered for rent by an older woman, Miss Collins (the late, great Diana Rigg). On her first night in the new room, Eloise dreams of Soho in the fabulous 60s through the eyes of aspiring lounge singer Sandie (Anya Taylor-Joy). That first dream, in which a wide-eyed Eloise watches the confident Sandie secure an audition from Jack (Matt Smith), is a true marvel. The swapping b...

I found that Last Night in Soho took its sweet time getting me hooked, but as the first act was coming to a close, I was locked in. The movie constantly had me thinking what was to come next, trying to decipher what was the connection between the main characters were and why this was happening. There were scenes in this film that really had me on the edge of my seat, and I have not had that experience in a long time. I did not know much coming into the film, so I expected Anya Taylor-Joy to be the lead, but I was pleasantly surprised at the power performance that Thomasin McKenzie delivered. She really displayed the full range of emotion, showing shades of a shy timid and unsure girl to being a powerful and confident mistress of the night. ...

Last Night in Soho seemed like a terrifying innovative horror flick but didnt deliver.

Last Night in Soho promised a completely original fresh new horror film from the brilliant mind of Edgar Wright. The trailers were unnerving, tense, and scary, but unfortunately, that was where the horror stayed. The sequences set in the past were interesting and well done but as the murder mystery began to unfurl, so did the movie. The twists werent satisfying, and the terror didnt measure up to its promise. The creativity of Last Night in Soho had so much potential but fell short.

Edgar Wright's most recent film is... very good!

I don't love (but still like) the ending as much as the rest of it, though 'Last Night in Soho' is an extremely enjoyable psychological horror flick. The film's aesthetic is top notch, while the performances of Thomasin McKenzie and Anya Taylor-Joy are brilliant; the way their story is portrayed is real nice. Diana Rigg, Matt Smith and Terence Stamp are involved too.

I do have a few lesser things to mention. The fashion college classmates being hella cartoony is one, though the only main one is the end reveal... it kinda underwhelmed me, even if there's nothing inherently wrong with it. As it happened I was just like "well, OK...". I think I expected greater based on what precedes. It'...

Edgar Wright takes the audience on a journey back and forth from present day to the swinging sixties in this wonderful psychological thriller. Due to Eloises ( Thomasin McKenzie )  upbringing by her grandmother ( Rita Tushingham ) she is obsessed with the 1960s fashion and music. After being accepted onto a fashion course at a leading London college, Eloise moves into student accommodation and shares a room with another girl on the same course. Unfortunately the two girls are polar opposites and Eloise quickly relocates to a bedsit on Goodge Street in the heart of London. The landlady Miss Collins ( Diana Rigg ) welcomes her to the property with the house rules that include no male visitors. From this position in the heart of London Eloise ...

If you like the 1960s Mod culture and music, and maybe Soho in particular, as well as morality tale horror elements, great dialogue, unique and interesting characters, ghosts, seamless editing, and beautiful inner city photography--or maybe just one of these elements--then you'll love this foray into the mind of a 21st century girl who idolizes everything 1960s, even to the point of designing clothes that harp back to the era of Petula Clark, Sean Connery, the Kray Twins and their ilk, and everything else that made up that portion of the Post-War Dream. Great effort by all and fantastic payoff. More from this director, please.