Olivia de Havilland

James Caan

Jennifer Billingsley

Rafael Campos

William Swan

Jeff Corey

Ann Sothern

Charles Seel

Scatman Crothers

Ron Nyman

Walter Grauman

Luther Davis

Lee Garmes

Rudolph Sternad

Paul Glass

Lynn Stalmaster

Sam Comer

Hal Pereira

Joseph Kish

Leon Barsha

Edith Head

Nellie Manley

Wally Westmore

Frank McWhorter

John Wilkinson

Howard Beals

Bob Simpson

Drama

Mystery

Thriller

Horror

mansion

elevator

hagsploitation

List of films featured on the Evolution of Horror Podcast

The Evolution of Horror

Missing Mine

Films [HD]---[L]

Dangerous. Damaged. Aging. Unhinged. Psycho-biddy films, sometimes referred to as “hagsploitation,” “granny slashers” and "grand dame guignol," are a subgenre of horror/thriller movies that feature an older (often wealthy) woman who is in a state of violent psychological distress. A younger female relative or caretaker may trigger memories of their haunted past, driving them to the brink of insanity. 

Madness, paranoia, and control, are common themes, with the elder female protagonists portrayed as haggard, demented, and unattractive. 

As Hollywood shifted from the old era to the new in the 1960s, the actresses that dazzled in the Golden Age of Hollywood as romantic leads and heroines became too old for producers to know how to market them. A new trend took over in which aging stars began appearing in self-referential roles, inhabiting caricatures of their former public selves. 

Psycho-biddy qu'est-ce que c'est

Hagsploitation Movies

MovieLens[:10K]

60s horror

Películas que hay que ver antes de morir

Lady in a Cage

Paramount Pictures

Luther Davis Productions

United States of America

Cage Rage!

Lady in a Cage is directed by Walter Grauman and written by Luther Davis. It stars Olivia de Havilland, Jeff Corey, James Caan, Ann Sothern, Jennifer Billingsley and Rafael Campos. Music is by Paul Glass and cinematography by Lee Garmes.

If you trawl for reviews of this film you will find pretty much all the cinematic words used to describe a non big budgeted mainstream film that many love. Re: Cult, Camp, Schlock and etc, what ultimately transpires with Lady in a Cage is a film that everybody should understand why some love and some hate it. One film lovers camp schlocky classic is another one's irritatingly over acted bore. I'm close to being in the latter camp.

It start off so well, the Paramount logo in cage stripes, a jarring score, a dead dog in the road and superb opening credits that segue into in your face fast cuts. Then story pitches wealthy Cornelia Hilyard as being trapped in a elevator cage in her home (she's recovering from a broken hip see), being all alone she's forced to use the alarm system, which brings into play unsavoury and unstable characters to blight and torment home and woman both.

The big message beating at the pic's black heart is so heavily handled by the makers it ends up boorish, rendering shock factor as zero. Come the mid-point the overacting on show by all - including the once magnificent de Havilland - is almost unwatchable. In fact much of it ends up being laughable, so as one is meant to feel repulsion at the stink infecting the human race, one is instead pondering the implausibilities of it all. There's a scene where Cornelia should simply push her chief tormentor out of the cage, but no!, the over cooked screenplay wants to cram in a load more daft human foibles before reaching its finale.

We even have a case where two characters in the play, one a key player in proceedings, don't have their fates revealed. Not in a crafty cliffhanger way, but in a lazy forgetful piece of hackdom. You have to say its effective because it draws you in with its unpleasantness - both as an observation on the human condition and as poor film making - so much so you have to stay with it to the end. Perhaps that is job done, then? But really it's one that this viewer personally could not recommend at all. 5/10

English

Lady In A Cage (1964) - Official Trailer

Darren Bousman on LADY IN A CAGE

Lady in a Cage

What happens in this elevator is not for the weak - it is, perhaps, not even for the strong!

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