Longing for a baby, a stripper pursues another man in order to make her boyfriend jealous.
Jean Luc Godard と Anna Karina のおのろけ映画って言われちゃうくらい、funnyでcute、charmingな映画。 Godardお馴染みの引用シーンで大好きなものが１つ。Alfred de Mussetの格言劇 「戯れに恋はすまじ」の科白をAnna Karinaが。
" 男はみんな嘘つきで、浮気で、見下げはてたものであり情感の奴隷だ。女はすべて裏切り者で、滑稽で、物見高くて性根が腐っている。人は恋愛ではいくたびとなく欺かれ、傷つけられ、不幸になる。しかし人は愛するのだ。そして自分の墓穴のふちまで来た時、こしかたを振り返り独り言を言うのだ、わたしは度々苦しんだ、時には考え違いもした、しかしわたしは愛した。"
I believe that all the girls would love this movie
Jean-Luc Godard's first two films (<i>À bout de souffle</i> and <i>Le petit soldat</i>) were thrillers that drew inspiration from American noir, but <i>Une femme est une femme</i> (A Woman is a Woman, 1961) shifts gears drastically to a riff on American musical comedies, with the characters occasionally singing and dancing, and the camera jumping between realistic depictions and these musical interludes. But as one of the seminal figures of the French New Wave with its desire to shake up conventions, Godard added some elements of his own. As the film opens, the soundtrack keeps cutting abruptly in and out, an aural equivalent of the unsettling jump cuts with which he started his career. There are allusions to his earlier films and to his Ne...
Jean-Luc Godard's first two films (<i>À bout de souffle</i> and <i>Le petit soldat</i>) were thrillers that drew inspiration from American noir, but <i>Une femme est une femme</i> (A Woman is a Woman, 1961) shifts gears drastically to a riff on American musical comedies, with the characters occasionally singing and dancing, and the camera jumping between realistic depictions and these musical interludes. But as one of the seminal figures of the French New Wave with its desire to shake up conventions, Godard added some elements of his own. As the film opens, the soundtrack keeps cutting abruptly in and out, an aural equivalent of the unsettling jump cuts with which he started his career. There are allusions to his earlier films and to his Ne...
Anna Karina is good in this quite entertainingly daft romantic caper. She is exotic dancer "Angela", happily living with "Émile" (Jean-Claude Brialy) but there's one big snag - she wants to start a family whilst he would sooner just ride his bike. "Émile" is nothing if not considerate, though, so suggests that maybe she do the deed with his best pal "Alfred" (Jean-Paul Belmondo) and that way everyone is happy. It's fair to say that he hasn't exactly discussed this scenario with his friend at the time of suggestion, either! Anyway, for the next hour or so, Jean-Luc Godard takes us on quite a merry dance that at times is a little "Carry-On" in style. Aided by a jolly and mischievous score from Michel Legrand, we soon find ourselves amidst a t...