Pretty Woman

A street credibility Pygmallion!

Edward Lewis is a very rich man, but money, as everyone knows, does not buy everything, and as yet another failed relationship falls by the wayside, Edward faces up to the prospect of a hectic social week on his own. Enter a meeting with ebullient hooker Vivian Ward, who upon impressing Edward with her happy go lucky values, gets herself hired to be his escort for the week ahead, it's a week that both of them are unlikely to ever forget.

It almost became the in thing to stomp all over the respective work of both Richard Gere (Edward) and Julia Roberts (Vivian), adding fuel to the fire of those with an aversion to both actors is that the crowd pleasing Pretty Woman hails from that dreaded genre known as...

A street credible Pygmallion?

Edward Lewis is a very rich man, but money, as everyone knows, does not buy everything, and as yet another failed relationship falls by the wayside, Edward faces up to the prospect of a hectic social week on his own. Enter a meeting with ebullient hooker Vivian Ward, who upon impressing Edward with her happy go lucky values, gets herself hired to be his escort for the week ahead, it's a week that both of them are unlikely to ever forget.

It almost became the in thing to stomp all over the respective work of both Richard Gere (Edward) and Julia Roberts (Vivian), adding fuel to the fire of those with an aversion to both actors is that the crowd pleasing Pretty Woman hails from that dreaded genre known as 19...

"You and I are such similar creatures, Vivian. We both screw people for money."

Richard Gere has always played a rich snob really well but I can't help shake the feeling that Julia Roberts was shockingly miscast in this role. She does well but the role just doesn't fit. Oh well, can't win them all.

Excellent performance and an experienced director create a romantic comedy classic full of charm and authenticity.

No wonder its a classic! Julia Roberts and Richard Gere masterfully portray their characters full of nuance, sincerity, and emotional pain. Pretty Woman has a plot told many times over. Yet, with the experience of director Garry Marshall and these performances, the story feels genuine and endearing in ways unmatched by many other interpretations. I dont consider myself a huge fan of rom-coms, but this movie was just lovely. The supporting cast of the hotel staff provides another level of charm and compassion that elevate the film further. Pretty Woman sweeps the audience up as they invest in the characters and their grow...

There is a LOT of hate here because it doesn't portray prostitution realistically. And there is a LOT of hate here because it is demeaning to women and politics and politics and politics and...snore.

It's a movie!!!!! It's job is NOT to depict reality, it's job is to entertain!!! In many cases movies are supposed to depict the opposite of reality so you can escape it!!!!

Hate it if you want, the fact is, the film is fun and entertaining.

If you want a gritty drama about prostitution, there are movies out there about that too. Watch Taxi Driver.

I didn't want to see a gritty drama about prostitution when I sat down to watch Pretty Woman...I wanted to see a fun movie that would entertain me. Nor did I expect to see a gritty drama ...

"Lewis" (Richard Gere) is a ruthless merger merchant who loves nothing better than a lucrative deal that will line his pockets regardless of the impact on anyone else. He arrives in town and has a one-night stand with call girl "Vivian" (Julia Roberts). He likes her, she likes him - so he decides that she can stay on. Maybe help him out with a few formally social occasions where she can smile and stay schtum? To that end, he gives her a credit card so she can go shop to look the part, and that's when we discover that this girl is no pushover. Despite his rigidity, "Lewis" starts to realise that he's beginning to fall for her, despite her unsavoury provenance but what happens next? The story is simply constructed and fairly predictable, but ...

Pretty average movie. The dialog is maybe a bit ahead of its' time, in terms of toxicity and progressivism, but that's a few lines. Feels really sappy and cardboard. The cast has great charisma, but they can't help playing cardboard in such a simple play. I'm not sure how exactly modern fairytales are made good, but most I've seen are better than this.

6/10