Hail, Caesar!

Theres a scene halfway through the film when Hobie Doyle (Alden Ehrenreich), a Western B-movie star, is cast in a fancy melodrama helmed by Laurence Laurentz (Ralph Fiennes). Doyle is hopelessly out of his element, hobbling about in his new suitthe switch was the studios idea in an effort to broaden Doyles appeal, much to Laurentzs dismay. Its not long before the two engage in a back-and-forth, Laurentz trying to get Doyle to pronounce Would that it twere so simple, and Doyle trying desperately to appease Laurentz. After a lengthy exchange, both are left exacerbated. Much later in the film, we catch a glimpse of the final version, where Doyle and Laurentz compromise with a much simpler: Itscomplicated.

Complicated is exactly whats at the...

I am a fan of the Cohen Brothers, but I will not lay laurels at the feet of a movie simply because it bears their name. Hail, Caesar! is not one of their better efforts.

Unrelated: I also wonder why they felt it necessary to hide the fact that they were making a faith-based film in the trailers.

Final rating:½ - Had a lot that appealed to me, didnt quite work as a whole.

Once upon a time the king Julius Caesar was kidnapped!

So here's the new film from the Coen brothers. They have become rare in the recent years, I was always checking out what's next for them and now I'm slightly disappointed with this. I enjoyed watching it, it is one of those you want to rate them better, but you can't for some unidentified reasons. According to my analysis why I was not satisfied fully is the story. I mean the narration was rich, performances were phenomenal and music, locations, all were fantastic, but the screenplay was kind of aimless. The beginning, the ending or even in the mid part it had no purpose, but something like a mockumentary about the film industry of the 1950s.

With the average screenplay, the d...