HIM

Producer-writer-director Jordan Peele has quickly developed quite a reputation for making horror flicks/psychological thrillers that undeniably push the envelope of these genres, turning out creations unlike anything most moviegoers have ever seen. In the process, he has often packed his pictures with much for viewers to process on multiple levels as they walk out of the theater. And, in his latest offering, in which Peele has acted as producer, handing over the writing and directing responsibilities to filmmaker Justin Tipping, he has overseen the birth of yet another release in the same vein as previous projects like Get Out (2017), Us (2019) and Nope (2022) only this time on steroids and laced with a touch of crack. Him tells the story ...

More racist slop from Jordan "Neo Nazi" Peele.

This time with absolutely zero redeeming features. Dude should've either quit after Get Out or gone into therapy to address his racism so it wouldn't eat up his remaining talent.

Insufferable, bad, boring, racist, zzzzzzzzzzz

We start off watching a young lad glued to the television where his American footballing idol Isaiah (Marlon Wayans) is out to set some records. An injury ensues during that game before we spool on until the young lad himself is now a budding superstar (Tyriq Withers) and after hes been rather brutally thwacked on the head and suffered some brain swelling, his hero invites him to train at his underground desert compound where it becomes very clear that not only did he recover, mysteriously, from his on-field injury many years earlier but that he went on to become a legend of his sport. Cam is completely phased by his new opportunity but once he has met his idol, his rather bizarre wife and their enigmatic physician-cum-trainer he becomes in...