Meet Me in St. Louis

A bit of cake and a song to blow away the wind of change.

A film that is firmly ticking all the boxes for those looking for a family classic to admire and tap your feet along with. This delightful musical deals with one family and their struggle to deal with the changing of the times at the turn of the century. When the Father is requested to move to New York permanently with his job, the rest of the family are not that keen to leave their memories and their beloved home in St. Louis, and in to the mix is the varying degrees of blossoming love involving the elder daughters and their respective beaus.

This film is just so gorgeous on many fronts, the colour beautifully realises the tremendous scope director Vincent Minnelli brings with...

The trick with this film is not to look for anything serious or complicated in it. It is an engaging early 20th century bit of Americana - a charming costume drama peppered with gentle comedy, some fantastic songs, and Judy Garland probably the most comfortable in any role that I have sever seen her play (except, perhaps in "Easter Parade" released 4 years later in 1948). The story is set across a year in the life of the well-to-do "Smith" family from St. Louis. Mary Astor and Leon Ames try to raise their daughters "Esther" (Garland), "Rose" (Lucille Bremer) and the youngest, "Tootie" (Margaret O'Brien), whom I have to say stole most of the scenes the she was in (and I really don't like children in films). It tackles courtship - and a fairl...