The Exorcist: Believer

Well, they made The Exorcist woke... and oddly Anti-Catholic... and it flopped.

Seriously, The Pope's Exorcist was better and EVERYONE knew that was going to flop. I'm going to tell you right now that you should go back and watch the prequel movies because they were better... BOTH of them.

You have two little girls, a strong anti-Catholic message, a strong anti-patriarchy message, you know... the usual Hollywood meh messaging (except the Anti-Catholic part, that is a dead horse that hasn't been beaten nearly as much) and, most importantly, the same sequel/reboot/franchise killer that seems to go out of it's way to insult all the fans of the original film...

... and everyone that helped make it. Which, honestly, is also a dead hor...

"Angela" (Lidya Jewett) and her school mate "Katherine" (Olivia O'Neill) go for a walk in the woods one day. They don't come home - and panic amongst the parents ensues. Luckily, the girls turn up in a cow-barn a few miles away but have no recollection of just what they had been doing for the three days they had been missing. Anyway, dad "Victor" (Leslie Odom Jr.) soon starts to notice some odd behaviour from his previously reasonable daughter and before we know it, she - and her friend - are showing worrying signs of a possession that resonates all too readily with events some fifty years earlier and that finds him seeking the help of "Chris MacNeil" (Ellen Burstyn) before the girls are Satanic toast. It's ten minutes shy of two hours long...

I've seen better