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The Burnt Orange Heresy feels like it wants to do for painting what The Ninth Gate did for books. The problem is that there were books in Polanskis film, and not just mere props, but objets d'art in their own right. In contrast, theres precious little painting in this movie; in fact, theres literally less than meets the eye.
James Figueras (Claes Bang) is nominally an art critic, but sounds more like a shill. He has written a book called The Power of the Critic, and gives lectures about, well, the power of the critic. In one such lecture he resorts to "an oratorical gesture": a cock-and-bull story about a tortured Norwegian artists who, haunted by the portraits of Nazi officers he was forced to paint in a concentration camp, swore never ...