Girl Boss

Miki Sugimoto

Reiko Ike

Emi Jo

Linda Kimoto

Naomi Oka

Ryōko Ema

Midori Hiro

Kyôko Tsukasa

Masataka Naruse

Michitarō Mizushima

Natsuko Miura

Cassius Naitô

Tōru Abe

Miwako Onaya

Takuzō Kawatani

Morio Agata

Kaya Hozumi

Shōtarō Hayashi

Yoshinobu Hirose

Sen Okaji

Ryōta Minowada

Toshio Sugawara

Keisuke Otori

Utako Kyō

Hachirō Oka

Komimasa Tanaka

Hiroshi Nawa

Yōko Mihara

Akira Ōizumi

Ken Ichinose

Akira Nitta

Masami Nakazawa

Masaomi Hisada

Masao Hirakawa

Yasuo Matsumoto

Chie Kobayashi

Norifumi Suzuki

Shigeru Akatsuka

Tadao Kanda

Akira Ishihara

Kanji Amao

Toshiaki Tsushima

Ichirō Horiba

Hiroshi Watada

Akira Shimizu

Takayuki Minagawa

Action

girl gang

kyoto, japan

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Cinematography One

Erotic Actress 

Hollywood 

"Pinky Violence" is a subgenre of Japanese exploitation cinema that emerged primarily in the 1970s. It's characterized by its combination of sexploitation, violence, and often feminist themes. The term "Pinky Violence" itself is derived from the pink film genre, which refers to Japanese softcore pornographic films.

Key elements of Pinky Violence films include strong, independent female protagonists who often engage in violent revenge against oppressive male figures or institutions. These films frequently feature graphic violence, sexual content, and themes of female empowerment or exploitation. Popular examples of Pinky Violence films include titles like "Sex & Fury" (1973), "Lady Snowblood" (1973), and "Zero Woman: Red Handcuffs" (1974). While they were often low-budget productions, Pinky Violence films gained a cult following both in Japan and internationally for their unique blend of genre elements and social commentary.

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