badelf
The Boss of It All: Lars von Trier's Comedic Deconstruction of Control
Who knew Lars von Trier could make us laugh? In "The Boss of It All", he doesn't just satirize corporate culture - he dismantles artistic pretension with surgical comedic precision.
The film opens with von Trier himself, reflected in a window, perched in a cherry picker camera dolly - a literal deus ex machina, playing God while simultaneously mocking the very concept of directorial omnipotence. Here, he's gleefully playing God and immediately undermining himself.
Using Automavision, a computer program that randomly determines camera angles, von Trier literally relinquishes directorial control. It's a brilliant mirror of the film's narrative: Ravn hiring an acto...