The Devil Is a Woman

Very few aesthetic delights of the post-Code era tantalize and linger long afterwards in the mind as much as films from the Marlene Dietrich/Josef Von Sternberg partnership, and this, thankfully kept in Dietrich's vault as it was the favourite of her films, is no exception. Though anyone who knows me will readily recall I prefer the twice-Oscar nominated (for 'Morocco' and 'Shanghai Express'), Viennese expert craftsman's silent pictures to those made with the sexpot, this saga of vengeance is also superlative and well worth both purchasing and re-watching. Paramount caved in to pressure by the Spanish government, who hated the way Pierre Louÿs' novel portrayed the Spanish police, and actually destroyed the original print. Thankfully Dietric...

Marlene Dietrich is on great form as the manipulative "Concha" in this engaging, risqué, comedy drama set in Spain at the turn of the 20th century. It is related by Lionel Atwill's "Pasqualito" who regales the young "Galvan" (Ceśar Romero) with tales of her beauty - and of her selfishness; with a solid warning that he ought to give her a wide berth. Promising to do so, he promptly falls into her web of temptation much to the chagrin of his friend and, ultimately, himself! This is a different take on the femme fatale role. "Concha" is not duplicitous, she is clearly untrustworthy and unreliable - but she still manages to captivate this young man as easily as she did his older friend many years earlier. What is about her that makes her so all...