talisencrw
Previously I had seen many pairings of Sophia Loren and Marcello Mastroianni--next to William Powell and Myrna Loy, this is my favourite cinematic coupling--but never any works by director Scola, so I wasn't really sure what to expect, especially with it being a period piece of Italy just before the Second World War. This was a masterpiece. I could talk all day about how excellent the two stars must have been, in order to completely subvert every preconception we have come to associate with their on-screen romantic partnership (namely, Loren portraying a shy, put-upon mother of six, and Mastroianni playing a suicidal gay man) AND so convincingly. As well, I heartily recommend viewers to watch all of the extras on The Criterion Collection's ...