The Joys of Torture Collection

Teruo Yoshida

Bunta Sugawara

Masumi Tachibana

Yukie Kagawa

Yumiko Katayama

Yoshiko Fujita

Shin'ichirô Hayashi

Toyozō Yamamoto

Ichirō Sugai

Hideo Kō

Takashi Fujiki

Mie Hanabusa

Yasuyo Iino

Noriko Kuroda

Reiko Mikasa

Yōko Koyama

Akikane Sawa

Hiroshi Miyauchi

Renji Ishibashi

Hisaya Ito

Toshio Chiba

Minoru Ōki

Ryutaro Otomo

Takuzō Kawatani

Teruo Ishii

Osamu Furuya

Tomoomi Yoda

Tadao Kanda

Norimichi Igawa

Hiroshi Watada

Masahiro Kakefuda

Hajime Kaburagi

Hiroo Nozu

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J-Splatter

"Pinky Violence" is a subgenre of Japanese exploitation cinema that emerged primarily in the 1970s. It's characterized by its combination of sexploitation, violence, and often feminist themes. The term "Pinky Violence" itself is derived from the pink film genre, which refers to Japanese softcore pornographic films.

Key elements of Pinky Violence films include strong, independent female protagonists who often engage in violent revenge against oppressive male figures or institutions. These films frequently feature graphic violence, sexual content, and themes of female empowerment or exploitation. Popular examples of Pinky Violence films include titles like "Sex & Fury" (1973), "Lady Snowblood" (1973), and "Zero Woman: Red Handcuffs" (1974). While they were often low-budget productions, Pinky Violence films gained a cult following both in Japan and internationally for their unique blend of genre elements and social commentary.

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