Teruo Yoshida

Yukie Kagawa

Teruko Yumi

Mitsuko Aoi

Michiko Kobata

Yumiko Katayama

Kei Kiyama

Reiko Mikasa

Miki Obana

Kyomi Sakura

Michi Tanaka

Yoshiko Katô

Asano Kanamori

Yôko Koyama

Chiyo Okada

Mie Hanabusa

Sumie Ozawa

Masaomi Kondo

Misao Kawasaki

Yukio Miyagi

Isamu Tsuchihashi

Hideo Ayuba

George Okabe

Jûta Kara

Tamotsu Okuno

Tensaku Murata

Yoshiaki Yamashita

Hideo Kō

Toshio Oida

Akikane Sawa

Akira Ōizumi

Tōru Yuri

Kichijirō Ueda

Tatsumi Hijikata

Asao Koike

Minoru Ōki

Teruo Ishii

Rampo Edogawa

Satoko Shiratori

Seiichi Torii

Hajime Kaburagi

Shigeru Akatsuka

Shigeru Okada

Akira Yoshimura

Kanji Amao

Masahiro Kakefuda

Tadao Kanda

Hiroo Nozu

Etsuaki Masuda

Tomoomi Yoda

Horror

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butoh

A work in progress, listing the movies I have seen.

Sixties Horror, Sci-Fi & Fantasy

Disturbia 

A list of Japanese horror films that I like.

Japanese Horror

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"Pinky Violence" is a subgenre of Japanese exploitation cinema that emerged primarily in the 1970s. It's characterized by its combination of sexploitation, violence, and often feminist themes. The term "Pinky Violence" itself is derived from the pink film genre, which refers to Japanese softcore pornographic films.

Key elements of Pinky Violence films include strong, independent female protagonists who often engage in violent revenge against oppressive male figures or institutions. These films frequently feature graphic violence, sexual content, and themes of female empowerment or exploitation. Popular examples of Pinky Violence films include titles like "Sex & Fury" (1973), "Lady Snowblood" (1973), and "Zero Woman: Red Handcuffs" (1974). While they were often low-budget productions, Pinky Violence films gained a cult following both in Japan and internationally for their unique blend of genre elements and social commentary.

Pinky Violence

TERROR E HORROR NEILTON 

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Unearth the best 1960s movies ever and you’ll see the decade started off screaming. Psycho titillated audiences showing Janet Leigh in a bra before serving up one of the most shocking death scenes ever committed to screen – it still shocks some 60 years later. Both Psycho and Peeping Tom released the same year and both share comment on voyeurism, with the latter going as far as implicating the viewer in its POV murder shots. Introducing such a lurid concept was enough to get Peeping Tom pulled from theaters, and all but killed director Michael Powell’s career.

The introduction of the Oscar for Best Foreign Language Film in the late ’40s created a new palate for international cinema, and while the ’50s were filled with prestige pics like The Seventh Seal and Seven Samurai, genre movies from abroad began to light up theaters. This includes horror classics like Eyes Without a Face, Kwaidan, Black Sunday, Blood and Black Lace, and Hour of the Wolf. And after ramping up in the ’50s, British horror entered a prestige era with The Haunting, House of Usher, The Devil Rides Out, and Village of the Damned.

By 1968, the Hays Code (which delineated what violence, sex, and themes could be depicted on American screens) was all but gone, and that same year The Night of the Living Dead birthed a new age of independent cinema and the zombie genre itself. Speaking of birth: Rosemary’s Baby also came out in ’68, capping a decade of memorable psychological thrillers like The Innocents, What Ever happened to Baby Jane?, Persona, and Seconds.

To compile this list of ’60s horror, we took every Fresh and Certified Fresh movie and then sorted them using our ranking formula, which takes into account a movie’s number of reviews and its year of release. Now, read on for the best 1960s horror movies!

Horrors of Malformed Men

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