Harold and Maude

So poor little rich kid "Harold" (Bud Cort) really does like a bit of attention seeking - constantly vying for the recognition of his mother by faking every more outlandish suicide attempts. Things is, she (Vivian Pickles) is pretty impervious to his antics and so he seeks something to alleviate his boredom elsewhere... He starts attending funerals. That's where he encounters the eccentric "Maude" (Ruth Gordon) who also has a penchant for the ceremonies - and for also pinching a car from the cemetery for a bit of a joyride afterwards. As his mother increases her activities in finding him a love match, "Harold" finds himself and his new friend spending more and more time together and he begins to learn that her live today policy is vibrant, ...

Knowing how to live or knowing how to die are virtues, difficult and debatable themes that a film almost never has the courage to address.

Harold is a young man, just arrived at adulthood, who has a morbid fascination with death: he drives hearses, goes to funerals for fun, rehearses his own suicide a thousand and one times. He will change under the influence of an elderly woman, whose desire to live every moment to the fullest leads her to very incorrect attitudes, such as borrowing other people's things without even bothering to ask for them. In a way, both have to learn from each other, and the film shows us this mutual learning process, and the special bond that is created between them.

Black comedies are never consensual, as ...