Imitation of Life

Whilst Lana Turner is great in this family drama, the plaudits really ought to go to the sparing appearances of the hugely charismatic Juanita Moore. The latter woman is very much down on her luck, with her daughter "Sarah Jane", when she rescues the young "Susie", separated at the beach from her mother "Lora" (Turner). Not that she has much better prospects, but "Lora" takes in the destitute couple and that seems to act as her good luck charm. A budding actress, she finds herself slowly but surely - with the aide of the less than scrupulous "Loomis" (Robert Alda) - climbing up the greasy pole - without, it has to be said, compromising her integrity. The four march on as her star rises, but of course there is no pain, no gain. "Sarah Jane" ...

Imitation of Life is a masterpiece that explores race, class, and privilege in 1950s America. Douglas Sirk's final Hollywood film masterfully contrasts the lives of Lora Meredith (Lana Turner) and Annie Johnson (Juanita Moore), using their intertwining stories to expose the stark divides of the era. The emotional depth of Annie's relationship with her daughter, who chooses to pass as white, is super-emotional and heart-wrenching. Sirk's use of heightened drama not only serves as a critique of 1950s society's blind spots but also enlightens today's audience about the issues of the time. In the final act, with Mahalia Jackson's moving performance, the film delivers an emotionally shattering experience that cements its status as a timeless work of art. Flawless.