felixxx999
From Noiroftheweek.com
I Wake Up Screaming is never mentioned in the same breath as The Maltese Falcon when discussing the birth of film noir. Which would be a mistake.
Both films were made around the same time. I Wake Up Screaming, however, is much closer to being a true film noir. That's thanks to some fantastic stylistic camerawork (low angles, dark shadowy corners, shadows of Venetian blinds, low lit closeups and so on) and a complicated plot made even more twisty with flashbacks. The Maltese Falcon, on the other hand, is shot mostly like a '30s drawing room mystery (true, there are two fantastic shots: Sydney Greenstreet shot from the floor to look like a grotesque giant; and Mary Astor taking the elevator to hell with the shadow...