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Neil Gaiman is so contemporarily vital, both in literature and cinema, because he more than anyone else (with the possible exception of Terry Gilliam) notes that children and adults alike are fascinated with what lies outside our observable and tangible realms of existence. He realized the reasons storytelling have been significantly important since the dawn of mankind, and devised, as the Brothers Grimm did, that fairy tales and children's stories had to be haunting and entertaining to be both memorable and timeless. This is a great film depicting the growing sense as a child approaches adolescence that their parents and their world aren't exactly as they seem, and that through their trials and tribulations (the 'rites of passage', if you ...