After a seven-year absence, Charlotte Andergast travels to Sweden to reunite with her daughter Eva. The pair have a troubled relationship: Charlotte sacrificed the responsibilities of motherhood for a career as a classical pianist. Over an emotional night, the pair reopen the wounds of the past. Charlotte gets another shock when she finds out that her mentally impaired daughter, Helena, is out of the asylum and living with Eva.
Wow. Just wow. Ingmar Bergman really outdid himself this time. His movies are always a thoughtful watch because they're usually out somewhere on a parallel spiritual plane. This one, however, has two new characteristics: First, he's completely up-in-your-face about dysfunctional families. And second, there is so much incredible philosophy threaded into the film that you'll want to hit the pause button and take notes. IMHO, this might be Ingmar's best.
The intensity with which Ingmar Bergman brings together truly stunning performances from Liv Ullmann ("Eva") trying to reconcile with her chronically back pain ridden mother "Charlotte" (Ingrid Bergman) is fascinating to watch in this powerful, visceral drama. The relationship has long since been strained as the concert pianist mother had to make plenty of sacrifices - and choices - that affected her family. When she unexpectedly visits her daughter, the two sit at a piano, an experience that unlocks the flood gates on an history of blame, recrimination and resentment - though not without some considerable affection, too - and we are taken on a fairly joyless guided tour of their lives together. To add to this already fairly emotionally tur...