Manchmal denke ich plötzlich an dich

Lynn Oona Baur's 'Manchmal Denke Ich Plötzlich an Dich' proves to be an impressive cinematographic achievement that both deeply touches and challenges the viewer. The film captivates with its complex and multi-layered narrative style.

In this work, Baur almost establishes an independent genre within German cinema, which could be described as "German New Nordic Film". The film critically questions how rarely films capture the true essence of northern Germany. 'Manchmal Denke Ich Plötzlich an Dich' manages to portray the people in a respectful and honest way, far from clichéd depictions. Although certain similarities to works by Nordic directors such as Kaurismäki, Trier or Vinterberg can be recognised, Baur avoids any form of exaggerated ...

Lynn Oona Baur's 'Manchmal Denke Ich Plötzlich an Dich' proves to be an impressive cinematographic achievement that both deeply touches and challenges the viewer. The film captivates with its complex and multi-layered narrative style.

In this work, Baur almost establishes an independent genre within German cinema, which could be described as "German New Nordic Film". The film critically questions how rarely films capture the true essence of northern Germany. 'Manchmal Denke Ich Plötzlich an Dich' manages to portray the people in a respectful and honest way, far from clichéd depictions. Although certain similarities to works by Nordic directors such as Kaurismäki, Trier or Vinterberg can be recognised, Baur avoids any form of exaggerated ...