The Strangers: Chapter 1

The heavy trailing of this and the fact that it's part one does little to help any sense of menace as we follow the young "Maya" (Madelaine Petsch) and boyfriend "Ryan" (Froy Gutierrez) on their road trip to Portland. She's heading to start a new job as an architect, and it looks like she might have been responsible for manscaping her boyfriend's perfect visage as this annoyingly loved up and clingy couple arrive at a remote rural diner. They're not married, which seems to rile the locals and when they go to leave, their brand new car won't start. Ha! Luckily, there's an air b'n'b nearby. A remote cabin fully equipped with all the home comforts - even some Dolly to play on vinyl. They're famished so he borrows a motor bike to go fetch some ...

'The Strangers: Chapter 1' is a let-down.

It sets the scene well with some tension and is held together by a strong score, visually in terms of cinematography and literally in the case of the masks it is fairly effective too but the film doesn't really do enough - with those aforementioned positives and just in general. It starts onscreen by describing forthcoming events as "brutal", yet by the end I don't really feel like I saw anything all that noteworthy; just your standard horror fare, at best, really.

Madelaine Petsch and Froy Gutierrez are good in the lead roles I will say, though some of their character decisions (as is typical with this genre, I guess) are frustratingly dumb; I'm looking at you in particular, Gutierrez's Ryan....

This reimagining of the far superior original was an abysmal disappointment. While attempting to build a trilogy or franchise, it's crucial to ensure that each movie can stand on its own. Unfortunately, this film fails to achieve that, presenting a boring three-act structure where nothing significant happens.

The film's suspense is nonexistent, failing to create any sense of tension or atmosphere. A suspenseful movie should keep viewers on the edge of their seats, but this one falls flat.

The characters are mostly unlikable, making it hard to invest in their fates. In a horror film, it's essential to have characters that the audience can either root for or fear for. Here, the protagonists' lack of depth and development leaves viewers...

"The Strangers: Chapter One" is completely devoid of everything that made "The Strangers" (2008) such a compelling and menacing motion picture. The strangers of the title are immediately at a disadvantage this time around because they obviously no longer have the element of surprise on their side. We have seen it all before as they silently move through the shadows while observing their unsuspecting prey before finally attacking them without mercy or remorse. The jump scares are all tepid and ruined by well signposted and unimaginative camera angles and it is unfortunate the stabbings at the end are actually shown and no longer suggested (the human imagination is one of the most subtly powerful allies at a director's disposal during such mo...